The pianist and organist Katharina Königsfeld, born in Bamberg, discovered her passion for the piano and organ at the age of 6. She studied both piano and organ as an artistic major with Prof. A. von Arnim and Prof. R. M. Stangier at the Folkwang University of the Arts in Essen.
Hannfried Lucke was born in Freiburg i. Br. He received his musical training at the Staatliche Hochschule für Musik Freiburg, the Mozarteum Salzburg, and the Conservatoire de musique in Geneva.
Matthias Maierhofer, born in 1979 in Graz, Austria, received his initial musical training from Karl Schmelzer-Ziringer. He later studied organ, early music, and church music at institutions in Graz, Freiburg, Leipzig, and the Schola Cantorum in Basel. His teachers included Arvid Gast, Andrea Marcon, Kurt Neuhauser, and Martin Schmeding.
The courses are open to professional musicians, music
students and talented pupils. Passive participation is possible. There will
be daily lessons for active participants. In addition, topics such as
registration, repertoire insights etc. are discussed as required. As a
participant you have lessons with all teachers including piano
lessons/technical studies for organists on the piano.
Good practice
opportunities are available at no extra cost.
The accompanying program includes concerts by the
teachers and a hike. Participation in the integrated Maria Hofer Organ
Competition is voluntary.
Those who “only” want to take part in the course are therefore
also very welcome. Active participants of the International Organ Academy Kitzbühel
receive a diploma at the end of their master class. The course program prepared
by participants must be indicated on the registration form.
Daily lessons.
Teaching languages: German, English
Registration fee: € 50,00
The registration fee must be transferred to the
account of the International Organ Academy Kitzbühel (free of charge for the
recipient). Confirmation of registration will be sent after receipt of payment
of the registration fee. The registration fee cannot be refunded if the
participant is unable to attend or misses the deadline.
Course fee: € 300.00
The course fee must be transferred to the account of
the International Organ Academy Kitzbühel by July 20, 2025 at the latest. If
the payment deadline is not met, participation cannot be guaranteed.
Accommodation
The International Organ Academy Kitzbühel cooperates
with various guesthouses and hotels in Kitzbühel to provide accommodation for
course participants.
Kitzbühel Tourismus
Hinterstadt 18
6370 Kitzbühel
T: +43 5356 66660
F: +43 5356 66660-77
E: servus@kitzbuehel.com
Other Information
Participation is at your own risk. The Academy accepts
no liability of any kind.
Bank Details
Stadtgemeinde Kitzbühel
Sparkasse Kitzbühel
BIC: SPKIAT2K
IBAN: AT88 2050 5000 0001 2906
Purpose: “Orgelakademie 2025”
Important: The first
and last name of the course participant must be stated in the reference of the
transfer.
Summary
Registration and payment of the registration fee of €50.00
by 06.07.2025
Payment of the course fee of €300.00 by 20.07.2025
Pedalwerk C-f'
Subbaß 16‘
Oktavbaß 8‘
Flötenbaß 8‘
Choralbaß 4‘
Posaune 8‘
Bombarde 16‘
Koppeln:
OW/HW; HW/Ped; OW/Ped
Rein mechanische Spiel- und Registertraktur
Hauptwerk I. Manual C-g'''
Bordun 16‘
Prinzipal 8‘
Hohlflöte 8‘
Viola 8‘
Oktav 4‘
Flöte 4‘
Quinte 2 2/3‘
Oktav 2‘
Mixtur 4-5fach 1 1/3‘
Trompete 8‘
Oberwerk II. Manual C-g'''
Copel 8‘
Quintade 8‘
Rohrflöte 4‘
Prästant 4‘
Flöte 2‘
Nasard 2 2/3‘
Prinzipal 2‘
Terz 1 3/5‘
Scharff 3fach 1‘
Krummhorn 8‘
Copel 8‘
Flöte 4‘
Prinzipal 2‘
Quint 1 1/2‘
Stimmtonhöhe:
Stimmsystem:
Winddruck
Holz gedeckt
Metall gedeckt
Zinn offen im Prospekt
Metall offen, repetiert bei c“ in den 3‘
463 Hz bei 18 °C
Werckmeister III modifizerit
58 mm WS (am Flötenstock gemessen)
Holz gedeckt
Metall gedeckt
Zinn offen im Prospekt
Metall offen, repetiert bei c“ in den 3‘
463 Hz bei 18 °C
Werckmeister III modifizerit
58 mm WS (am Flötenstock gemessen)
Hauptwerk II. Manual C-g'''
Bourdun 16‘
Principal 8‘
Viola d’Amore 8‘
Rohrflöte 8‘
Unda maris 8‘
Octave 4‘
Quinte 2 2/3‘
Superoctave 2‘
Terz 1 1/3‘
Mixture V-VII 2‘
Cornet V (ab c‘) 8‘
Fagott 16‘
Trompete 8‘
Vox humana 8‘
Rückpositiv I. Manual C-g'''
Gedackt 8‘
Quintade 8‘
Principal 4‘
Blockflöte 4‘
Octave 2‘
Sesquialtera II
Vox humana 8‘
Quinte 1 1/3‘
Scharf IV 1‘
Krummhorn 8‘
Schwellwerk III. Manual C-g'''
Holzflöte 8‘
Gamba 8‘
Schwebung 8‘
Principal 4‘
Traversflöte 4‘
Gemshorn 4‘
Nasard 2 2/3‘
Nachthorn 2‘
Terz 1 3/5‘
Flageolett 1‘
Mixtur IV-V 2‘
Trompete 8‘
Oboe 8‘
Pedalwerk C-f'
Hintersatz 32‘
Untersatz 16‘
Principalbass 8‘
Octavbass 4‘
Mixtur V 2 2/3‘
Posaune 16‘
Trompete 8‘
Clairon 4‘
Koppeln:
SW-HW, RP-HW, HW-PED, SW-PED, RP-PED
Wechseltritte:
Mixtur HW, Trompete 8‘ HW,
Trompete 8‘ SW, Hintersatz 32‘, Posaune 16‘
Nebenzüge:
Tremulanten für HW, SW, RP, Vogelsang
Stimmung:
Leicht ungleichschwebende Temperierung
Rein mechanische Spiel- und Registertraktur
I Hautpmanual C-f'''
Principal 8‘
Mixtur 4-3fach 1 1/3‘
Superoctav 2‘
Flauto Duodecima 3‘
Flöte 4‘
Octav 4‘
Bordun 8‘
Waldflöte 8‘
Gamba 8‘
II Positiv C-f'''
Principal 2‘
Copel 8‘
Rohrflöte 4‘
Quint 1 1/2‘
Pedal C-c'
Posaune 8‘
Octabaß 8‘
Subbaß 16‘
Schiebekoppel II-I
Pedalkoppel I-P
